WWC
2019 - Present
WWC - 三人自製樂器團體，組建於2019年秋。起初為了打破以往的音像聲音表演模式，嘗試透過自製樂器與表演，去講述一些史詩性的段落，作品文本參考眾多信仰、史詩故事，並嘗試以當代手法呈現。
WWC之名稱，取自震盪波型 - 三角波、正弦波 之意象，同時亦是創團成員之英文名字首字。
團員把興趣取向與特長互相融合後，成為一個不止音樂、更多的是在講述故事，創造架空時空的表演。 WWC將每首曲目定義為章節，應用章節形式，將每首曲目環環相扣，加以訴說故事。成員們在每段章節打造出形式多樣的載體，去詮譯了該時空中不同的角色與情緒。 宗旨為打破一般只使用現成工具等方式去操作的現場表演，透過電腦編程及電路、外觀設計製作出自製樂器，以強調身體的律動跟表演的儀式感。
使用不同神話、傳說、信仰等元素創作出一共七章文本。 音樂整體調性使用 432hz = A 制式，此頻率特點與大自然中所有的能量運動頻率較為一致。以電流、儀式、神秘、肢體、弦 等元素 去創作樂曲，嘗試去使用音頻去達到傳遞情緒的目的。
章節的序章到終章為一個輪回，內容圍繞在慾望，藉由神、人、到宇宙，到萬物，以寓言的方式去包裝我們對欲望的詮釋，樂器代表的是其中角色的精神，而由團員表演就似是神明代言人去闡述 - WWC 創造的某種信仰。
WWC is a three-person self-made instrument ensemble formed in the autumn of 2019. Initially, they aimed to break away from traditional audiovisual performance modes and explore storytelling through self-made instruments and performance. Their works draw inspiration from various beliefs and epic stories, presenting them through contemporary approaches.
The name WWC is derived from the imagery of oscillating waveforms—specifically, triangle waves and sine waves. It also represents the initials of the founding members' English names.
By merging their interests and expertise, the group goes beyond music and focuses more on storytelling, creating performances set in fictional time and space. WWC defines each composition as a chapter, using the chapter format to interconnect their pieces and tell a story. In each chapter, the members create diverse forms of expression to interpret different characters and emotions within that specific time and space. Their objective is to break free from conventional live performances that rely solely on ready-made tools. They emphasize the ritualistic nature of performance and the rhythm of the body by programming computers, designing circuits, and creating their own instruments.
The group incorporates elements from various mythologies, legends, and beliefs to craft a total of seven chapters. The overall tonality of their music is tuned to 432Hz = A, a frequency believed to be more aligned with the energetic vibrations found in nature. They create compositions using elements such as electricity, rituals, mystery, physicality, and strings, aiming to use audio to convey emotions.
The chapters form a cycle, starting with an introduction and concluding with an ending. The content revolves around desire, utilizing allegorical storytelling to portray their interpretation of desire, from gods and humans to the universe and all things. The instruments represent the spirits of the characters, and the group members, through their performances, act as spokespersons for the deities, elucidating a certain belief created by WWC.
自製樂器 / Self-Made Instrument
樂器造型設計 Instrument Visual Design｜
王學淵 Wang Hsueh Yuan / Terrence
林則維 Lin Ze Wei / Wesley
感測設計 Sensor Design｜
陳智彦 Chan Chi Yin / Huginn C.
程式設計 Programming |
陳智彦 Chan Chi Yin / Huginn C.
聲音設計 Sound Design｜
陳智彦 Chan Chi Yin / Huginn C.
裝置設計 Installation Design | 林則維 Lin Ze Wei / Wesley
文本設計 Script Writing |
陳智彦 Chan Chi Yin / Huginn C.
王學淵 Wang Hsueh Yuan / Terrence
材料 Material |
聲音，樂器，裝置，文本，編曲
Sound, Instrument, Installation, Script, Arrangement
展出 Exhibitions |
2020 《好抖2020》
2020《日常瀰漫CA2.1: Pervading 第七屆新媒體藝術學系系展》
2020《初階迷因檢定》
2019《雜草重生》
2020 “Good Vibration 2020”
2020 “CA2.1: Pervading” The 7th New Media Art Department Exhibition"
2020 “Meme Proficiency Test: Beginner”
2019 “Weeds Reborn”
獎項 Reward |
2020《新媒體藝術卓越獎 ：「涼拌炒雞蛋」：「滿好吃的」》| 參展藝術家、首獎 - WWC
2020 Outstanding New Media Art Award "Let Nature Take Its Course" participating artists, first prize - WWC
