Huginn C.
陳智彦

鏡映萬象森羅。
鏡不在先，萬象不在後，相互依存。

鏡映照萬象時同現出輪廓。
以鏡為實相，萬有為諸相。

離開萬有，無所謂實相，

離開實相，諸相無所展。

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作品使用光圈結構，在光影、反射、動態當中去做出視覺元素的嘗試。 在進行此作品的過程中，思考的內容是，倒影出來的動態只有部分被看見，而自身會因為移動的軌跡得以獲得不同的景像，重覆的反射亦加入了光線、顏色等等投射到透明的材質上，形成一個又一個不穩定因素。

 

我嘗試在作品中加入龐大的不確定視覺資訊，而實際上，這又被實體的一圈又一圈量體限制在框架之內。探討的正是佛家中所謂的實相與諸相，而一切的視覺元素，就好比世上的萬千種種，而量體則是我們每個人心中的鏡。期望透過進行此作品的過程中，可以進行一些思考。

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" Mirror reflects the myriad of phenomena.

The mirror is not before, the myriad is not after, they depend on each other.

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When the mirror reflects and illuminates the myriad, outlines are simultaneously revealed.

The mirror represents the ultimate reality, while the myriad represents the various appearances.

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Apart from the myriad, there is no such thing as ultimate reality.

Apart from ultimate reality, the various appearances have no ground for manifestation. "

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The artwork employs the aperture structure to explore visual elements through light, shadow, reflection, and movement. Throughout the process of creating this artwork, the focus is on the realization that only a portion of the dynamic reflections is visible, while the self obtains different images through its moving trajectory. The repetitive reflections incorporate light, color, and other projections onto transparent materials, creating multiple unstable factors.

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I attempt to introduce a vast amount of uncertain visual information into the artwork, yet in reality, it is confined within the framework of tangible entities, one circle after another. The exploration revolves around the Buddhist concepts of ultimate reality and various appearances. All visual elements are akin to the countless phenomena in the world, while the tangible entity is the mirror in each of our hearts. Through the process of engaging with this artwork, I hope to stimulate contemplation and reflection.